A journalist, who was unfamiliar with KMD’s music and had no knowledge of the context, deemed the image offensive, and used his influence to publicly kick up a stink. More aggressive in tone, Dumile’s controversial artwork for the album featured the old fashioned, deeply racist Sambo character hanging from a noose. Subroc was killed in a freak car accident, leaving Dumile to finish their second album Black Bastards in his brother’s absence. It was normal,” Doom says, reminiscing on an era which also spawned the positive-minded Native Tongues collective, who counted De La Soul, A Tribe Called Quest and Busta Rhymes’ group Leaders Of The New School as members.īut for KMD, darkness soon crept in. So at the time, maybe we were like 18 or something, we were just aware of what was going on, and the people who were around were aware. “It was just something that you was paying attention to, what’s going on in the world. Hood is a politically potent but playful document of golden age hip-hop, all crackly soul samples, goofy skits and adolescent energy. As enlightened members of Nation of Islam offshoot the Five Percent Nation rapping just before gangsta rap secured its cultural stronghold, their ’91 debut Mr. But then again, Zev Love X isn’t really the same person as Metal Face Doom, and DOOM isn’t really the same person as Daniel Dumile.Īlthough he was born in London in 1971, Daniel Dumile was later raised in New York, where he and his brother Dingilizwe, aka DJ Subroc, formed Kausin Much Damage with MC Rodan, later replaced by Onyx the Birthstone Kid. This is, after all, the same individual we’re talking about. It feels strange, because although his beer gut has swollen over the years, his face barely looks different to how it did in the few bits of footage you can find of him unmasked – those videos from the early 90s when he was rapping as Zev Love X in the group KMD. Verifying rumours of eccentricity, his camouflage bucket hat appears to have artificial leaves attached to it. He’s on a buzz, bouncing in and out of the studio booth excitedly, showing off his custom-made Clarks Wallabees to his entourage, and firing ideas at the 17-year-old NY rapper Bishop Nehru, here to record their forthcoming collaborative album. He’ll later tell me that his cover is occasionally blown when fans hear the voice while he’s unmasked. His speaking voice sounds identical to one we’ve heard deliver the countless multi-layered rhymes, double entendres, surreal references and witty wisecracks that have entered the rap canon. Past attempts at tracking down the notoriously elusive, unpredictable alt-rap icon have proved fruitless, numerous sketchy interview plans have been scrapped earlier this week, and even though we’re waiting in the lounge of a London studio where we’re told he’s recording, his patient PR warns us not to hold our breath.īut he’s here, and we recognise him before we make eye contact. This definitely isn’t the first time Crack has tried to interview DOOM.
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